Review: Marvel Masterworks: The Fantastic Four 1963

Marvel Masterworks: The Fantastic Four 1963

Storytellers: Stan Lee and Jack Kirby

Publisher: Marvel

Year of Publication: 2007

Page Count: 347

What I Learned About Writing/Storytelling: In this massive tome, Stan Lee and Jack Kirby’s collaborative use of the Marvel method of writing comics is again on display. Speech bubbles and captions are voluminous in comparison to today’s comics, seeming to copy in words what the art already shows. However, given the method in question, the story would probably be hard to understand without the words, the comic itself being a product of a unique way to writing. However, Lee does know his stuff in terms of writing comics. Every page ends with a panel that makes you want to turn to the next. The first page is always positioned to draw the reader into the story from the very first. Nearly every first page is a full-page splash panel. Speaking of which, that brings us to…

What I Learned About Art/Storytelling: As with the previous volume I reviewed, Kirby’s art is definitely the driving force of the narrative. Lee’s captions and speech bubbles are what provide meaning to it, but the art is a foundation of the whole story. Kirby is very good at creating impressive visuals which are very good at propelling the story along. For instance, the Molecule Man lifting up the Baxter Building in one panel is an excellent visual, as is Namor’s coronation ceremony, spread over two pages near the end. I learned here that the art and the writing are inseparable. They need each other. This much easier if the writer is also the artist, but in a collaborative work, as is the case much of the time, the roles are symbiotic.

Recommendation: B

Notes/Review/Synopsis: The Fantastic Four is definitely fun reading, what with the bickering heroes and the over-the-top villains. It’s a product of a different era of superhero comics, when the audience was chiefly made up of ten-year old boys. Marvel needs to get back in touch with that particular demographic with its current line of comics. It made impressive gains with the Marvel Adventures line a while back, and it would probably do them good to go for that demographic with its comics again. Either that, or they could market these collections of old reprints not just to fanboys (and girls!), but to parents with kids who are looking for fun reading material for their children. I’m sure they’d find a ready audience.

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