Review: Marvel Masterworks: The Fantastic Four 1963

Marvel Masterworks: The Fantastic Four 1963

Storytellers: Stan Lee and Jack Kirby

Publisher: Marvel

Year of Publication: 2007

Page Count: 347

What I Learned About Writing/Storytelling: In this massive tome, Stan Lee and Jack Kirby’s collaborative use of the Marvel method of writing comics is again on display. Speech bubbles and captions are voluminous in comparison to today’s comics, seeming to copy in words what the art already shows. However, given the method in question, the story would probably be hard to understand without the words, the comic itself being a product of a unique way to writing. However, Lee does know his stuff in terms of writing comics. Every page ends with a panel that makes you want to turn to the next. The first page is always positioned to draw the reader into the story from the very first. Nearly every first page is a full-page splash panel. Speaking of which, that brings us to…

What I Learned About Art/Storytelling: As with the previous volume I reviewed, Kirby’s art is definitely the driving force of the narrative. Lee’s captions and speech bubbles are what provide meaning to it, but the art is a foundation of the whole story. Kirby is very good at creating impressive visuals which are very good at propelling the story along. For instance, the Molecule Man lifting up the Baxter Building in one panel is an excellent visual, as is Namor’s coronation ceremony, spread over two pages near the end. I learned here that the art and the writing are inseparable. They need each other. This much easier if the writer is also the artist, but in a collaborative work, as is the case much of the time, the roles are symbiotic.

Recommendation: B

Notes/Review/Synopsis: The Fantastic Four is definitely fun reading, what with the bickering heroes and the over-the-top villains. It’s a product of a different era of superhero comics, when the audience was chiefly made up of ten-year old boys. Marvel needs to get back in touch with that particular demographic with its current line of comics. It made impressive gains with the Marvel Adventures line a while back, and it would probably do them good to go for that demographic with its comics again. Either that, or they could market these collections of old reprints not just to fanboys (and girls!), but to parents with kids who are looking for fun reading material for their children. I’m sure they’d find a ready audience.

Image from Amazon.com

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Review: Marvel Masterworks: The Fantastic Four Vol. 1

I have decided to begin reviewing a new graphic novel or comic book collection once a week. This blog will now be updated every Monday.

Marvel Masterworks: The Fantastic Four Vol. 1

Storytellers: Stan Lee and Jack Kirby

Publisher: Marvel

Year of Publication: 2003

Page Count: 251

What I Learned About Writing/Storytelling: I’ve read about the Marvel method of writing comics versus the full script method of writing comics, the former being pioneered by Messrs. Lee and Kirby. The idea behind is that the writer gives a summary of the comic to the artist, who then draws the thing, after which the dialogue is added in as needed. I could see that this was definitely the case for this collection, where the writing and dialogue are definitely an outgrowth of the art, not the other way around. Lots of captions and big dialogue bubbles are present, trying to fit in as much plot as possible.

The actual stories of these early issues of The Fantastic Four were apparently very innovative for their time, such as setting most of the stories in New York City as opposed to a fictional municipality, and having the Four deal with internal strife, money problems, and a hostile media in additions to wacky supervillains.  Oddly enough, The Fantastic Fourfirst few stories don’t take place in New York, but in “Central City.” I wonder if they ever ran into the Flash? :lol:

What I Learned about Art/Storytelling: As previously mentioned, the art is definitely the main driver of the plot. Kirby knew how to create amusing and interesting visuals, such as the Thing dressed up as a pirate, or the various sci-fi backdrops which populate these pages. Bill Watterson once said that the best comics have good writing and good art, but sometimes the strength of one can make up for the weakness of the other. In a collaborative project, this maxim is doubled in importance, as the writer and the artist have to work together to create the best comic book story possible. Conflicting visions are possible, but in a great team like that of Lee and Kirby, the result is pioneering creations such as these.

Recommendation: B

Notes/Reviews/Synopsis: This book collects the first nine issues of the original The Fantastic Four series from the ’60s. Although it may bore older audiences, younger readers, especially those who have never been exposed to comics, will probably get a kick out of it. It’s harmless, silly fun that will spark young imaginations and help them learn to like reading.

Image from Amazon.com

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